In a bracingly antideconstructionist denouement Steven Meisel reinterprets the dichotomatic nature of classic Hegelian dialectics in the semiotically heterodoxical form of a "mirror reality" in which Natalia Vodianova is not touching her breast, thus representing, inter alia, a signification of reordered gender realism bananabread wingnut hatstand homeschooler.
Can You Spot The Photoshop Flub In This Louis Vuitton Ad?
